sound of fractures

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sound of fractures

jamie reddington (sound of fractures) is a uk-based artist and researcher working at the intersection of music, memory, and participation.

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occasional letters from the studio — experiments, essays, invitations. no noise.
or read the writing so far ↗
— THE STUDIO

join the studio

seams studio is funded by people who want this work to exist. it funds the experiment, and the time it takes to make meaningful work, not the outcome.

THE MODEL
studio boardthe small group who make each year of the work possible. names on what the studio makes: the talks, the writing, the events, the editions. c.y. lee · jamie reddington
studio partnersan open place in the studio, at a level that's yours to choose. your name here, and the process as it happens.
advisory boardmeets four times a year to talk through the work's progress and support what comes next. maarten walraven (music x) · matthias klein (care of magick) · finlay johnson (afem) · hanna kahlert (midia research) · jade sophie claire (music nerd)

presence in the process, credit on what emerges, a hand in something you believe should exist.

THE TEAM
creative directorjamie reddington
executive producerc.y. lee
studio managercarole keating
technical partnersalex watson (my perfect cousins) · tesni kerens (ct europe)
SO FAR
scenesmade possible by 55 people — c.y. lee · maarten walraven · nick smith. that experiment became the book, the exhibition, and the method alone together runs on today
alone togetherc.y. lee (lead) · alex watson · alex houpillart
VOICES

"i'm looking for people who already have alignment with what i believe in, and who are already taking action in that direction. and i'm asking if they need fuel."

— c.y. lee, studio board

"looking back, i don't think i was saying yes to a project. i was saying yes to jamie. because every now and then, someone shares an idea that deserves everything you can bring to it."

— alex watson, alone together · read the full post ↗

"what we need more of: making music feel less disposable. we should find ways to support creative research & development driven by artists."

— maarten walraven, executive producer of scenes
THE THINKING
START THE CONVERSATION

it starts as a conversation — write to me, or leave a note here.

or write directly — hello@soundoffractures.com
— THE STUDIO

seams

seams is a studio founded by sound of fractures, working through music, memory, space and participation.

it develops projects that explore what music can make possible between people. a song can become a prompt, an archive, a film, a room, a publication or a gathering. the form changes with the question.

people are not added at the end as an audience. their memories, voices and contributions can become part of how the work develops. the studio does not try to manufacture connection. it creates reasons and invitations to reflect, contribute and feel part of something shared.

research is not separate from the work. it happens through making, listening and gathering. each project is shaped by its audience and context, and leaves behind work, documentation, relationships and new questions that inform what comes next.

music is often the starting point without defining the boundary. the tools and forms can change; the concern remains: how creative work can help people recognise something of themselves and one another.

THE STUDIO AS A CONTAINER

every output is different — an album, an exhibition, a piece of research, an event. what stays the same is the ethos at the heart of them: human connection, participation, process shared in the open. the studio gives these different forms somewhere to belong.

THE WHY

"being easy to understand gets good clicks. pick a lane, follow its rules. i didn't want to choose one. so the studio builds the alternative in public: the use case, so people can see it, hear it, take part, and want it to exist."

— jamie reddington
THE METHOD

question → project → participation → reflection → next question.

each project becomes part of the continuing practice rather than an isolated output.

PROOF OF WORK
scenesan album co-created through 351 public memories, photographs and stories. songs became prompts; the responses became artworks, an exhibition, a book and a published research chapter.
alone togethera modular live work between performance, exhibition and social space. music, memory and designed participation give people reasons to reflect, contribute and feel part of something shared.
network archivesa publication documenting how artists build worlds around their work, released on metalabel. it turns the studio's research outward by tracing the projects, relationships and systems behind creative practice.
DOORS
or write directly — hello@soundoffractures.com
— WORK WITH ME

the practice travels

the same method has now been an album, an exhibition, a book, a platform, a peer-reviewed chapter and a keynote. the thinking behind it lives in the studio.

if you're interested in collaborating, write to me — hello@soundoffractures.com.

WHAT I DO
talkskeynotes, panels & workshops on world-building, participation, patronage and creative careers in the internet's next era
commissionsparticipatory works, exhibitions & live formats built on the scenes / alone together method — song → prompt → memory → artefact → archive
researchpractice-based research, case studies & artist-led r&d sprints (most recently sponsored by lalal.ai) — field notes ↗
teachingdeputy course leader, ma music management — university of westminster
KEYNOTES & WORKSHOPS
reimagining creative careers in the internet's next erakeynote · imbra conference, hamburg · festival spectacular, prague · createch, university of westminster
being a creator is more than you think it is — a case studykeynote · the platformization of the internet, leipzig
re-defining ip management in the digital erapanel & workshop · ade, amsterdam
making your process part of your outputworkshop · beatport community · story protocol
PRESS
PODCAST GUEST
learn how sound of fractures is leveraging web3 to further his artistic journeyinvest in music
financial independence & value, with jamie (sound of fractures)got no juice
how artists are using new technology to build active communitiesthe future of music
START THE CONVERSATION
or write directly — hello@soundoffractures.com